We’re going in order to give a quick look at the major forms of guitar pedal reviews. Within part 1 we’ll cover the basics.
We all know that there are one million internet sites offering insight to this topic, but its been our experience that they’re written by engineers, not musicians… they read like microwave manuals instead of a helpful resource… Anyway… off we go.
I can’t really milk over a few lines using this topic. It’s pretty cut and dry- a boost pedal will give your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals behave as a master volume control enabling you a pretty great deal of use.
How come I would like a boost pedal? To give your guitar volume up over the other band during the solo, to operate a vehicle your amp harder by feeding it a hotter signal, to possess a set volume change with the press of a button.
When most guitarists focus on overdrive, these are talking about the smooth ‘distortion’ produced by their tube amps when driven to begin breaking apart. Overdrive pedals are meant to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond what they normally can do without wall shaking volume.
Why do I need an overdrive pedal? Overdrive pedals can be used an increase pedal- so you get those inherent benefits, you’ll get some good added girth to your tone from the distortion developed by the pedal. Most overdrive pedals have tone control offering you wider tone shaping possibilities.
Based on our above definition of overdrive, distortion is where overdrive leaves off. From the rock guitar world think Van Halen and beyond for any clear example of distorted guitar tone. Distortion pedals often emulate high gain amps that produce thick walls of sound small tube amps usually are not capable of creating. If you’re fortunate enough to have a large Marshall, Mesa Boogie, Diezel or other monster amplifier to produce your distortion you will possibly not require a distortion pedal. But for the remainder of us mere mortals, rock guitar effects are very important to modern guitar tone.
Exactly why do I want a distortion pedal? You need to be relevant don’t you? Despite large amps, like those mentioned previously, distortion pedals play an integral role in modern music. They offer flexibility that boosts and overdrives can not rival.
God bless Ike Turner and the Kinks. Both acts achieved their landmark tones by making use of abused speaker cabinets. Ike dropped his on the street walking in to Sun Records to record Rocket 88, the Kinks cut their speakers with knives or so the legends already have it. Regardless of how they got it, their tone changed the planet. Some call it distortion, some refer to it as fuzz, however, seeing the progression readily available damaged speakers to the fuzz boxes built to emulate those tones, I think its safest to call what Turner and Davies created/came across was fuzz.
How come I need a fuzz pedal? Ya like Hendrix, don’t ya? In every honesty, the fuzz pedal is seeing resurgence in popular music currently. Bands like Nine Inch Nails, Marilyn Manson, Muse and the White Stripes rely heavily on classic designs on recent releases.
The work of the compressor is always to deliver a level volume output. It will make the soft parts louder, and the loud parts softer. Current country music guitar tone is driven using compression.
Why do you want a compressor? Improved sustain, increased clarity during low volume playing.
The earliest “flanger” effects were produced in the studio by playing 2 tape decks, both playing exactly the same sounds, while an engineer would slow down or speed up the playback of one of the dupe signals. This is how you can produce wooshing jet streams. The edge from the old fashioned tape reels is named the flange.
So why do I need a flanger? A flanger will provide a whole new color to your tonal palette. It is possible to tolerate out one, but you’ll never get a number of the nuance coloring of your Van Halen’s, Pink Floyd’s, or Rush’s of the world.
The phase shifter bridges the space between Flanger and Chorus. Early phasers were meant to recreate the spinning speaker of your Leslie. Phase shifting’s over use might be heard throughout the initial few Van Halen albums.
How come I needed a phase shifter? See Flangers answer.
Chorus pedals split your signal in 2, modulates one of these by slowing it down and detuning it, then mixes it back with all the original signal. The impact is supposed to sound dexspky30 several guitarists playing the same as well, producing a wide swelling sound, but I don’t hear it. You do have a thicker more lush tone, nevertheless it doesn’t sound like a chorus of players in my opinion.
Why do I need a chorus? Because Andy Summers uses one, and Paul Raven says so… that needs to be good enough.
Like a kid, have you ever have fun with the amount knob around the TV or even the radio manically turning it down and up? Yeah? Well you have been a tremolo effect.
Exactly why do I needed a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’
A delay pedal generates a copy of any incoming signal and slightly time-delays its replay. You can use it to make a “slap back” (single repetition) or perhaps an echo (multiple repetitions) effect. Who amongst us can’t appreciate The Sides utilization of guitar pedals review delay throughout U2s career?
Why do I needed a delay pedal? See Flangers answer.
A variable band-pass frequency filter… Screw all that- you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.